The Decisive Moment

As an artist or an art enthusiast, I'm sure you will agree with me that sometimes the best art texts don't involve anything other than visual language. I have always held deep respect and reverence for the work of Henri Cartier-Bresson. The French photographer was born in 1908 and gained international recognition when he covered the funeral of Ghandi.

In 1952, his book entitled Images à la sauvette (The Decisive Moment was the title of the English edition) was published. Drawing from a text by Cardinal de Retz, Cartier-Bresson wrote, "There is nothing in this world that does not have a decisive moment". This idea of such a "decisive moment" would become synonymous with Cartier-Bresson and his work.

"Photography is not like painting," Cartier-Bresson told the Washington Post in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative," he said. "Oop! The Moment! Once you miss it, it is gone forever."

The Private World of Yves Saint Laurent and Pierre Berge

Recent news about Christie’s, in collaboration with Pierre Bergé and Associates, announcing the second sale of Yves St. Laurent and Pierre Berge’s collection has me all in a tizzy. Nevertheless, just as I was unable to attend the first auction in person, there will be no way I will attend this upcoming auction in November.

So, as solace, I just placed my order for The Private World of Yves Saint Laurent and Pierre Berge, written by Robert Murphy and photographed by Ivan Terestchenko. The book beautifully catalogues the works that were auctioned off in the first sale, making this a great resource for great art.

I must be really gullible or something, but the book description just about had me jumping out of my pants with excitement:

The star pieces from fashion designer Yves Saint Laurent's art collection including works by Cezanne, Picasso, Mondrian and Matisse have been unveiled in the Grand Palais, Paris, ahead of what auctioneers have dubbed the art sale of the century. Yves Saint Laurent and Pierre Berge amassed the collection together before the designer’s death in June 2008. The works, which had adorned the pairs Paris flats, the Chateau Gabriel in Normandy and their home in Morocco, include antiquities, Old Master and 19th-century paintings and drawings, Art Deco pieces and European furniture and art. Now Pierre Berge has decided to sell the entire collection. It’s the end of an era and the sale has already excited enormous interest and speculation. This book shows, for the first time, the collection in situ in the pair’s homes. Although some pieces have been photographed separately in the past, they have never been photographed together, making this beautifully produced book the ultimate record of one of the 20th century's great collections.

Rogue's Gallery

When it comes to the Metropolitan Museum of Art, I think of a haven of well-curated exhibitions, quality art by quality artists, a place to cultivate culture - all in all, a do-gooder in the world of art. But then again, there’s the star-studded Met Gala accompanied with its notions of glamour and LOTS of money, and I have to rethink what the Met really is about.

Rogue’s Gallery by Michael Gross was especially enlightening when it comes to the capitalist aspect of the Met. Intriguing anecdotes throughout the book gives insight into the behind the scenes dirt in acquiring art and garnering publicity, thus presenting the interesting symbiosis of culture and cash.